All Posts (2281)

Sort by

Lipsticks in abundance! How would I pick the best for me? Purchasing lipstick is regularly a monotonous and mistaking task for some ladies. We go through hours in the corrective cosmetics products online shopping in Pakistan, attempting to track down the ideal shade by taking a stab at the analyzer lipsticks. An off-base decision will kill the buzz of the look. For such countless individuals picking lipstick is more experimentation than science.

The selection of lipsticks relies upon many components including, The complexion – a similar lipstick shade would not suit reasonable, medium, and more obscure cleaned tones. Lipsticks are accessible in stains, gleams, mattes, etc. They will all go on as an alternate hue. Hence, it's crucial to evaluate the surface of the lipstick.

Best Lipstick Shades For Fair Skin

Following are the top lipstick tones for lighter-looking ladies.

Rich Red:

Red is an extremely well-known shading and looks incredible on a light complexion. It gives a striking, running hope to light complexion ladies with pinkish or blushing tones. You need to try different things with the texture. Stains, for example, Revlon nibbled lipsticks are exceptionally famous nowadays. Indeed, even divas have been seen brandishing red lipstick such as Huda icon lipstick. This one will be one of my #1 lipstick that conceals reasonable Indian skin. It is a more pinkish form and is ideal for a night out. In case you are going for somewhat less oomph than rich red, this is an ideal tone for you.

Orange:

It is an energetic shading and suits young ladies the most. On occasion, it is a great idea to get bold and look past the ordinary tones. Orange has been the in-pattern shading this year. For a spotless look pair it with bare eyes. Assuming you need to raise the stakes you can add on goth eye cosmetics. Even though I should caution you, if not worn with the right outfit it might end up being a disaster. So on account of orange lipstick toning it down would be best. You can fetch an excellent range of orange lipsticks at Shop Some.

Peach:

This is an incredible shading for ordinary wear. You can wear it to the office and smooth on some lip shine for a party look. It's ideally suited for summers. Pair this look with bare eyes for a new summery look. It isn't on the bolder side however can in any case make your lips look pretty. Here is another lipstick for light complexion and is additionally useful for a regular look. The shading isn't excessively striking; it would make your eyes stick out. It additionally gives you a characteristic look. These shades likewise are known to suit Indian ladies, particularly the individuals who have a light complexion.

A couple of tips on picking the right shade that works for you

At any point contemplated how to pick lipstick for your complexion rather than exactly what ends up looking great on the store racks? There are in a real sense a large number of various shades of lipsticks so I realize it's difficult to single out only a couple! I'm constantly attracted to particular shades however I've discovered that regardless of the amount I like a specific tone, it can absolutely clean me out or simply be a terrible match! On the off chance that you also might want to sort out some way to pick the most complimenting and charming lipsticks for your mouth, continue to peruse!

LIP SHAPE

The principal tip I needed to specify before continuing to picking lipstick as per complexion is to likewise think about the state of your lips. Some broad standards apply to certain lip shapes like more obscure shadings making lips look more modest and lighter and more splendid tones causing lips to seem greater. So observe whether you need to highlight or limit your lip shape before you begin narrowing down lip tones so it will not be as overpowering!

OLD FAITHFUL

At the point when you're currently choosing lip tones by complexion, recall that you're most likely not simply going to have one lipstick for each event. You will need a lip tone for consistently, evenings out, formal events, etc. To wear a lip tone consistently, pick a lipstick that is a couple of moves forward from your regular lip tone. Regardless of whether you convey a huge load of lip items in your pack, having that one lipstick that you can generally rely on to look extraordinary is an unquestionable requirement!

Light complexion

When picking the right lipstick for light appearances, ordinarily implies picking lighter shades of lipstick like nudes, pinks, or light tans. Cool conditioned ladies ought to go for bare or a delicate mocha tone and warm ladies should search for naked peach or pale pinks. I realize that there will be times when you'll need to shake a dim lip and you'll look astounding. Nonetheless, as a rule, nudes and beiges are all around complimenting and those tones function admirably to light up a reasonable appearance!

Read more…

9389578876?profile=RESIZE_710x

Sherika Jackson, Briana Williams, Shelly-Ann Fraser-Pryce, Elaine Thompson-Herah
 
Fri, August 6, 2021, 11:26 AM
 

By Mitch Phillips

TOKYO (Reuters) - Fuelled by the three individual 100 metre medallists, Jamaica surged to an emphatic win in the women's 4x100m relay on Friday, posting a national record 41.02 seconds to finish well clear of the United States and Britain.

Elaine Thompson-Herah, who now has all three available sprint golds at Tokyo, Shelly-Ann Fraser-Pryce and Shericka Jackson delivered again, after Briana Williams had done her job on the opening leg.-

 

It was Jamaica's first gold in the event since 2004, after back to back silvers behind the U.S. in London and Rio.

There had been talk of a world record but all the leading teams had some stuttering changeovers, and no doubt some nervous waits. But by the time the men's race had come and gone and the lights were out in the stadium, there were no official notifications of any appeals and the medallists were safe to celebrate.

"I was just excited for the team to come out here and put on a show," said Thompson-Herah, who claimed back-to-back sprint doubles earlier in the week. "The feeling is surreal to capture three golds and we got a national record."

Fraser-Pryce, who took silver in the 100m but managed only fourth in the 200m, added: "We are so grateful to win this gold medal for Jamaica on national independence day. For two years we have been unimpressive, so to get it back today is special."

Britain's women had set a national record in qualifying fastest for the final and though they were not quite as slick, they were well worth their second successive bronze.

"I saw quite a few people, I was like ‘oh time to move’," said Dina Asher-Smith, who ran a superb third leg. "But I'm one of the best sprint athletes in the world and I just needed to keep it coming round the bend and make sure I came into Daryll Neita like a train."

(Reporting by Mitch Phillips, Editing by Toby Davis)

Read more…

What's hot in the world of women's fashion?

The Stylish Kurti Designs in Pakistan 2021 for women – as we as a whole realize how much Kurtis significance in an upscale ladies life. Accordingly, today we are going to share new plans of winter kurtis by driving style originator in the year 2021. Moreover, present-day winter Kurtis plans and style is an eastern reflection pleasantly encased in current plans. This polished Kurtis will give you an in-vogue remarkable look in no time flat.

In the style market, we can see that a huge assortment of new dresses with various tones and alluring plans catch your eye. All things considered, in this post, we will accumulate some incredible and current style Kurti plans. You would like these outfits for your closet. Moreover, Kurtis can be picked anytime, or you can wear them with churi pajamas to give you a snappy look with a western viewpoint. Besides, Kurtis can be worn with Patiala salwar or tights too.

Kurtis styles for Winter.

How about we look down this page and investigate these most recent winter Kurti plans for women. All dresses are gathered from Mohagni's official site or from nearby makers too. These Kurtis styles are ideal to wear during the winter season of 2021.

Winter Kurti Fashion Guide Best discretionary Kurti Colors to Wear in Winter

Here we have probably the best winter Kurtis that will give you a lovely standpoint. Charming choker neck style is ideal, and we energetically prescribed Kurti shading to wear in the colder time of year. Since everybody in the winter season needs to get more daylight, these colder times of year Kurti plans can upgrade your closet. This Kurtis can get worn with a multi-mix of your decisions. Regardless of whether it is your proper gathering or need to wear for any open-air movement. It's the ideal decision for you if you are wearing these women dresses as a young lady or a wonderful gentlewoman.

Designer Kurti Designs for Winter Season 2021

Along these lines, young ladies we should begin with stunning and driving design architect Kurtis styles found in this year 2021. Here we have adorable young ladies wearing special styles of Kurti with extravagant dupatta plans by well-known originators. Pakistani originator has been delivering lovely cool Kurti plans for easygoing wear or formal wear. The most effective method to style Kurti This Winter 2021.

Here we have some best tips for styling Kurti styles and designs that can be attempted at this moment!

Kurti with Palazzo Pants: Thus, young ladies, if you have a long Kurti, you can wear it with erupted palazzo pants and can shake this colder time of year. Kurti with Slim Pants: Moreover, young ladies on the off chance that you have beautiful thin pants, you can combine thin fit pants with Kurti. Or then again you can likewise wear a Kurti with the coordinating with a shade of thin fit gasp to look more appealing and current. Typically this is sort of suitable for the mid-year season.

Kurti with Slim Pants: besides, young ladies assuming you have brilliant thin pants, you can match fit pants with a Kurti. Or then again you can likewise wear a Kurti with the coordinating with the shade of best-fit gasp to look more alluring and current. Regularly this fits for the mid-year season.

Midsection Belt with Kurti: it's for those young ladies who need to make a fantasy of a slimmer abdomen. For what reason don't attempt belts to fold over your Kurti.

Conveying a Dupatta with Kurti: Lastly, Muslims young ladies need to wear a dupatta with Kurti. It is an alternative, and you can do it assuming you need to. So, if you like to carry a dupatta or want to look silky and bold, Kurti would be an ultimate option to pair up with a dupatta.

Conclusions!

You can choose different shades willingly. You will discover appealing shadings, yellow, blue, red, purple, white, green, and so on in design markets. The lovely suites are brightened with boundaries and sleeves. These are delightful inventive prints for ladies. Today I have the assortment of the multitude of lovely details of the new Mohagni  Winter extravagance assortment 2021 through this post. You should see these astonishing pictures for the best one. Through these pictures, you can undoubtedly get excellent driving design brand dresses at a rebate cost. The main materials Mohagni as of late presented his colder time of year assortment 2021 for ladies. Shop online Midwinter assortment 2021 at reasonable costs.

Read more…

Highlighter has gotten fantastically the mainstream in the previous few years, adding a different classification to composition cosmetics. It's intended to give your face a dewy, new gleam, yet a few highlighters veer shimmering and can make it appear as though you've pretty recently spread sparkle all over. 

The key is to search for one that has a super-fine miniature gleam so you can assemble your shine—toning it down would be the ideal methodology is key here. We want you to read this post to the bottom line - so you can grab the best online cosmetics shopping in Pakistan. We have also covered you in this sphere. So, read along with us!

3 Types of Highlighters 

Highlighters come in cream, powder, and fluid equations:

  • Cream highlighters will in general be the most reasonable looking since you apply it with your fingers and it liquefies onto the skin. 
  • Powder and fluid highlighters will in general sit on top—that is not something awful, it simply implies that it's more perceptible (which may be the thing you're going for, particularly in case you're get captured). 
  • Shimmery bronzers work extraordinary as a highlighter, applied sparingly on the high marks of the face or simply on the cheekbones—not as an all-over shading. 

Remember that items named highlighter are by and large utilized for focusing on a particular region while items marked illuminator (or luminizer) will, in general, be more buildable and get intended to give you shining skin all over.  – you can buy them from Shop Some at any time.  

Instructions to Apply Highlighter 

When applying powder highlighter, it's ideal to utilize a fan brush to clean the powder onto the spaces of your face that you need to get glowy. For fluid and cream highlighter, apply spots of highlighter all over and mix with a finger or a cosmetics wipe. 

Where to Apply Highlighter on Your Face 

Where to apply a highlighter relies upon your face shape and facial highlights. Apply highlighter to the high marks of your face, or anyplace off of which light normally mirrors: the highest points of your cheekbones, the temple bone, the focal point of your jawline, the cupid's bow, the focal point of your brow, the tip of your nose, and now and again even on the scaffold of the nose. Cosmetics craftsman Bobbi Brown will here and there spot a smidgen in the internal corner of each eye. Examination with applying highlighter to various regions until you track down the right - highlighter position for your face. 

Instructions to Find the Best Highlighter 

The best highlighter recipe for you will rely upon the remainder of your face cosmetics schedule since adhering to one item surface forestalls hardening. Skin type will likely direct your item pick: Liquid equations are by and large liked by those with dry skin or develop skin since the item will not stack up in barely recognizable differences. Pick a highlighter to conceal that supplements your normal skin tone and hint for a more regular sparkle.

Huda Beauty 3D Highlighter Palette

It feels SO since a long time ago we originally made the Huda beauty highlighter price in Pakistan and grabbed Huda Beauty 3D Highlighter Palette. Yet, we use it every day. Every range incorporates three super pigmented highlighters as our Melted Strobe equation, a velvety highlighter that melts into the skin. Our fave approach to utilize the Melted Strobe is to shower a delight blender with a setting splash, touch it in the strobe and afterward press it into our skin for the most astounding radiant gleam. 

Fenty Beauty Highlighter

Utilize the three powders across your cheeks. And the highpoints of your face to fabricate a 3D impact and a sound-formed flush. Pink Sands is ideal for reasonable for medium skin tones, Golden Sands turns out flawlessly for medium and tan skin tones, and Bronze Sands is ideal for tan to rich skin tones. The Fenty Highlighter Duo is the bomb.com. The cream-powder half and half skim onto the skin within a real sense of zero exertion, leaving your cosmetics looking lit AF. You might be a little stunned when you first see the shades. However, they decipher flawlessly onto the skins.

Need to Learn More About Makeup and Beauty? 

Regardless of whether you realize a become flushed brush from a bronzer brush or are searching for tips on bringing allure into your day-by-day schedule, exploring the magnificence business takes information, ability, and viable experience. Nobody feels comfortable around a cosmetics sack better compared to Huda Beauty, the cosmetics craftsman who constructed a profession and a multi-million dollar brand with one straightforward way of thinking: Be what your identity is...

Read more…

Summer is right around the corner. Everybody wants to be as comfortable as possible in this scorching heat. Mothers usually have to think for two instead of one. Consider your worries taken care of. We’re here to fill you in on the best comfortable and stylish clothes for your babies this summer. The typical rule of thumb to remember is to dress your baby in one extra layer of clothing than what you feel comfortable in.

Singlets

Singlets are probably the most preferred choice of clothing for the little ones in hot weather. Not only are they comfortable but they’re light and breezy. Letting the air easily reach those tiny arms and legs. Some singlets come in onesie types which cover the diaper area as well. But for tank tops, you can pair some cute shorts, or a skirt to go with. Otherwise you can even leave on the vest with just the nappy. If you’re going out in the sun, remember to use the appropriate amount of sunscreen on your baby.

Rompers

 

Most parents only think of rompers as a sleeping suit or casual wear. But rompers can also be worn outside in the heat. Short sleeved or sleeveless rompers are probably the perfect outfit for your baby. They cover the diaper and serve the purpose of a shirt for the torso area. You can find some incredible baby rompers in Pakistan. Our pick for you would be Cocobee. Cocobee is an online website highly popular for their baby bodysuits and rompers. Their collection is absolutely jaw dropping. 

Skorts

Ever heard of skorts? They’re a mixture of skirts and shorts. Skorts are super in fashion nowadays. They’re a good balance between shorts and skirts. So if you can’t decide whether to style your baby in shorts or a skirt, skorts are the right way to go. 

Dresses

Babies wear

When you think of summer, you think of dresses. Dresses are flowy, breezy and light. A perfect fit to be worn in the burning hot sun. Also, the cuteness dresses add to your baby’s look is a whole other level. Dresses are easy to wear as well, so your child will rarely be fussy when dressed in an adorable little beach or summer dress.

Sandals

While most of us get done with the clothing part easily, some of us struggle on footwear. You don’t want your child’s feet feeling suffocated or too warm in a pair of shoes. For summer, our suggestion would be a pair of eye-catching sandals. Simple, comfortable and modish!

Accessorize

 Add some fun, pretty accessories to your baby’s look. Hats are such a charming little accessory to include. They’re also a must have in the sun. If you’re having a baby’s day out on the beach perhaps, a hat will come in handy to block the heat directly on your kid’s face.  Bows and ribbons are my personal favorite, they’re so chic! If you’re looking for a less casual and fancier look, simply add a belt. A belt can be worn in so many different ways. On a dress, on shorts, on skirts, and what not? Don’t just worry about the clothes, worry about your kids’ accessories too! In all seriousness, if you’re styling your kid’s outfit, do it the right way.

Read more…

Sean Paul is one of the biggest Jamaican Dancehall international sensations. Having scored hit records and collaborations with icons across musical genres, he has cemented himself as one of the greatest exports from Jamaica. Having a career spanning decades, Sean Paul continues to reinvent himself and give the world music that becomes household bangers.

Read more…

Beres Hammond - Love From a Distance

Beres Hammond performed in a live virtual concert from Harmony House studos in Kingston, Jamaica. A virtuoso performane from the Reggae Icon you will watch over and over again. Beres performed hit after hit and had had some special guests who underscored the richness of Jamaican music. I watched it live and it was simply on fire!!!!!!

Read more…

8536742496?profile=RESIZE_710x

When former Miss Jamaica Davina Bennett landed the part as the love interest in a Maluma music video, she thought she’d be taping a regular four-minute music video. Instead, she was cast as the Colombian star’s muse in #7DJ (Siete Días en Jamaica – Seven Days in Jamaica), companion film to the seven-song EP of the same name that tracks Maluma’s trip to Jamaica, in search of a spiritual rebirth.

 

And Bennett’s role became something far more significant than mere screen time or high-profile exposure.

“There are other music videos, but few consider, ‘Let us merge cultures, let us merge Black and white,'" says the 2017 Miss Universe runner-up. "To see Latin, reggae, dancehall, Black and white come together and create something epic like this is a whole other level." 


For Bennett, proudly representing Caribbean and Black culture is not new. In 2017, she made headlines when she took the stage at the Miss Universe pageant with an afro, her natural hair, becoming the first Black woman to be crowned among the top three to do so. In “7 Días,” she wears dreadlocks, emblematic of Jamaica, and is a constant player in a visual work that went to great lengths to stay true to the island’s roots and traditions.

“She’s not just beautiful, but a big ambassador of her own culture,” says Maluma.
8536729092?profile=RESIZE_584xDavina Bennett and Maluma
Phraa
Bennett spoke to Billboard about the significance of Black presence in a Latin music video, especially coinciding with Black History Month. “I hope we become a domino for others to follow,” she says.


I’m making an effort to think of videos where you have a white Latin superstar with a beautiful Black woman as the model, and I can’t think of many…

I’ve never seen it. I think that’s why social media is eating it up. It’s an immense sense of pride. It’s also very overwhelming, because sometimes I think, "Is this real?" I’ve been in this position once before, representing Jamaica in Miss Universe, and being the first woman to rock my Afro -- and that was a big thing for my country, and for Afro and brown girls. To be in the same position, rocking another hair style and showing unity between two countries and two cultures… I don’t have words to express it.

You’re opening a big door. It’s amazing there haven’t been more instances, right?
It feels the same as when I did Miss Universe. This pageant is over 60 years [of history] and you’re telling me there has never been a Black woman with an Afro in the top three? And there are other music videos, and they have never considered: Let us merge cultures, let us merge Black and white. It’s mind blowing. But, someone has to do it first. Someone has to be the first domino on that table.


READ MORE
Every Song on Maluma's '#7DJ (7 Días En Jamaica)' Ranked: Critic's Picks
The album is called 7 Días In Jamaica, and it truly is an homage to Jamaica, showing so much of the island. Did it surprise you to see how prominently Jamaica is featured?

What makes it even better for me is there’s the combination of two cultures: Latin from Colombia and reggaetón and dancehall from Jamaica, and that makes it even greater. Maluma incorporates people like Ziggy Marley, Charly Black. For you to not just come to our country, but also use Jamaican creatives, a Jamaican girl, Jamaican artists -- it’s not cultural appropriation, but literally paying homage. It’s not, “I’m coming to your island, taking credit and leaving.” It’s about us. It goes in-depth in terms of our culture, how we portray ourselves. Even down to the drink we have in our hand, Red Stripe, is unique to the Caribbean. 

8536727859?profile=RESIZE_710xDavina Bennett
Eve Harlowe

Your hairdos are incredible. Tell me about them?

We decided to do locks [dreadlocks], which is a great representation. We are Rastafarian. Mellisa Dawkins, my hair stylist, would come up with these ideas on the spot. This woman just transformed each look into something amazing. It was such a great representation in my country. Locks are discriminated [against] in many places. And to show locks can be styled, they can be elegant, flirty -- it’s something I’m extremely proud of.

There was a highly publicized case of locks and discrimination in Jamaica recently, right?


Last year there was a discrimination case in Jamaica, because a little girl went to school with her locks and she was sent home. This is a big slap in the face. We are known for our locks. If you’re going to send a girl home for wearing locks, you might as well spit on us. So to be able to be on a [major] platform and use locks is a big deal, not just as a Jamaican woman but as a Caribbean woman. I hope this will tell people: “It’s not OK to discriminate against natural hair.” Because it is natural hair. And it’s a disgrace that today you would tell someone you can’t wear your hair like that.

Normally, how do you prefer to wear your hair?

Afro. It’s more relaxed. I’m someone who doesn’t comb her hair every day. So my Afro is my every day hairstyle.

 8536723453?profile=RESIZE_710x

 

 

 

 

 

 

 

Ky-Mani Marley, Davina Bennett, Julian Marley & Rohan Marley
Courtesy of Davina Bennett

You also shot in Colombia, in Medellín, but also in Barú, a beautiful beach close to Cartagena. How was that experience?

I’ve never experienced anything quite like that, where they appreciate Black beauty [to that degree]. It had nothing to do with being Miss Jamaica. In Barú, people would walk up to me and say, “We have the same skin. We’re family. We don’t even speak the same language, and just because of our skin there’s a connection.” I was in awe of the fact that these people were appreciative of who I am, my beauty and my color.

Did you talk to Maluma about these things?


I asked Maluma why he decided to do Jamaica. And he said, "Our cultures are so similar. There is a lot of diversity in Colombia. Our cultures intertwine." He just wanted to connect the two. And it’s amazing someone as big as Maluma can come to small Jamaica and find the uniqueness and the things that make us one. To be able to create an entire album paying homage to that is an iconic and very brave move. And it was executed in a way that both sides should be very proud of. I am, anyway. It’s a white guy from Colombia falling in love with a Jamaican woman with dreadlocks.

How did you meet Maluma?

I first met him in Jamaica. I was a little bit nervous. But I think it’s because I had to kiss him. It was in the script. I thought, "Oh Lord." I don’t want to make a fool of myself. But, yes he’s a very good kisser. And the kissing scene was quite a delight.

 
Read more…

A New Day Dawns

8446871061?profile=RESIZE_710x

WASHINGTON (AP) — Joe Biden was sworn in as the 46th president of the United States yesterday, declaring that “democracy has prevailed” and summoning American resilience and unity to confront the deeply divided nation's historic confluence of crises.

Biden took the oath at a US Capitol that had been battered by an insurrectionist siege just two weeks earlier. On a cold Washington morning dotted with snow flurries, the quadrennial ceremony unfolded within a circle of security forces evocative of a war zone and devoid of crowds because of the coronavirus pandemic.

Instead, Biden gazed out over 200,000 American flags planted on the National Mall to symbolise those who could not attend in person.

“The will of the people has been heard, and the will of the people has been heeded. We've learned again that democracy is precious and democracy is fragile. At this hour, my friends, democracy has prevailed,” Biden said. “This is America's day. This is democracy's day. A day in history and hope, of renewal and resolve.”

History was made at his side, as Kamala Harris became the first woman to be vice-president. The former US senator from California is also the first black person and the first person of South Asian descent elected to the vice-presidency and the highest-ranking woman ever to serve in the US Government.

Biden never mentioned his predecessor, who defied tradition and left town ahead of the ceremony, but his speech was an implicit rebuke of Donald Trump. The new president denounced “lies told for power and for profit” and was blunt about the challenges ahead.

Central among them: the surging virus that has claimed more than 400,000 lives in the United States, as well as economic strains and a national reckoning over race.

Read more…

8392054678?profile=RESIZE_710x

The Hon. Gordon "Butch" Stewart O.J. 1941-2021: Legendary Jamaican Entrepreneur Redefined 'All-Inclusive' and Changed the Way the World Went on Vacation

MONTEGO BAY, Jamaica, Jan. 5, 2021 /PRNewswire/ -- Legendary Jamaican entrepreneur Gordon "Butch" Stewart, one of the hospitality industry's most vibrant personalities and founder of Sandals Resorts International, the world's leading all-inclusive resort company, has died at the age of 79. An unstoppable force, who delighted in defying the odds by exceeding expectations, Stewart single-handedly built the world's most awarded vacation brand from one resort in Jamaica to over two dozen distinct resorts and villas throughout the Caribbean.

A son of Jamaica, Butch Stewart was born in Kingston on July 6, 1941 and grew up along the island country's North Coast, a tropical paradise that now boasts several of his Luxury Included® Sandals and Beaches Resorts and where his love of the sea, dominoes and free enterprise were sown. Certain from the start that he wanted to run his own company, at the tender age of 12, Stewart first stepped into the hospitality industry selling fresh-caught fish to local hotels. His success got him 'hooked' and his enthusiasm for entrepreneurship never waned.

After completing his secondary education abroad, Stewart returned home to Jamaica where he demonstrated his innate talent as master salesman at the renowned Dutch-owned Curaçao Trading Company, quickly rising to the position of sales manager but itching to start his own company. In 1968, Stewart took his chance. With no collateral but recognizing the comfort that would make air conditioning an essential service, Stewart convinced American manufacturer Fedders Corporation to allow him to represent their brand in Jamaica. With that, Stewart's foundational business - Appliance Traders Limited (ATL), was born and he was on his way.

At ATL, Stewart developed a simple business philosophy he articulated many times: "Find out what people want, give it to them and in doing so - exceed their expectations." This would become the standard for every Stewart enterprise and practiced by every employee of the many companies Stewart would go on to found, including and perhaps most importantly, Sandals Resorts International.

Stewart Founds Sandals Resorts
In 1981, with a gift for recognizing opportunity, Stewart found one in Bay Roc: a rundown hotel on a magnificent beach in Montego Bay, Jamaica. Seven months and $4 million in renovations later, Sandals Montego Bay would open as the flagship of what is today the most popular award-winning, all-inclusive resort chain in the world.

While Stewart never laid claim to inventing the all-inclusive concept, he is recognized worldwide for his tireless effort to elevate the experience, delivering to his guests an unsurpassed level of luxury, and to share his certainty that a Caribbean company could successfully compete with any organization in the world. He accomplished both.

"I had heard of the concept, yet at the time, the services and rooms were very basic. Contrary to that, I envisioned we could bring forward a luxury resort to offer customers so much more. So, we perfected it. Only the most comfortable king size four poster beds, fine manicured gardens, cozy hammocks and the kind of warm, refined service the Caribbean has become known for. Just as important was to be located on the absolute best beach, because that's what everyone dreams of."

Where other so-called "all-inclusives" offered meals and rooms at a set rate, Sandals Resorts' prices covered gourmet dining options, premium brand drinks, gratuities, airport transfers, taxes and all land and watersport activities. The competitors' meals were buffet-style, so Stewart created on-property specialty restaurants with high culinary standards and white-glove service. Sandals Resorts also was the first Caribbean hotel company to offer whirlpools and satellite television service, the first with swim-up pool bars and the first to guarantee that every room is fitted with a king-size bed and a hair dryer. More recent innovations have included a signature spa concept – Red Lane® Spa, signature luxury suites designed for privacy and ultimate pampering, complimentary WiFi, and signature partnerships with iconic organizations such as Microsoft Xbox® Play Lounge, Sesame Workshop, PADI, Mondavi® Wines, Greg Norman Signature Golf courses and the London-based Guild of Professional English Butlers. And in 2017, Stewart introduced the Caribbean's first over-the-water accommodations, which were quickly expanded to include Over-the-Water bars and Over-the-Water wedding chapels.

By steadfastly adhering to the "we can do it better" principle of pleasing his guests, Stewart fostered a company free to imagine and free to consistently raise the bar. This ethos earned him the title of "King of All-Inclusives," changing the face of the all-inclusive format and establishing Sandals Resorts as the most successful brand in the category – boasting year-round occupancy levels of more than 85 percent, an unequaled returning guest factor of 40 percent and demand that has led to unprecedented expansion including the creation of additional concepts such as Beaches Resorts, now the industry standard for excellence in family beach vacations.

Butch Stewart loved Sandals. At the time of his passing, he was hard at work on plans for the recently announced expansions to the Dutch island of Curaçao and St. Vincent.

Stewart As Statesman
Stewart's leadership helped resurrect Jamaica's travel industry and earned him the respect of his peers and the admiration of his countrymen. He was elected President of the Private Sector Organization of Jamaica in 1989 and was inducted into its "Hall of Fame" in 1995. He served as a Director of the Jamaica Tourist Board for a decade and as President of the Jamaica Hotel and Tourist Association in the mid-80s, ably balancing government and private sector priorities, reconciling the concerns of large and small Jamaican hotels, and raising public understanding of the tourism industry. In 1994, Stewart led a group of investors to take leadership of Air Jamaica, the Caribbean's largest regionally based carrier. It was a daunting task - planes were dirty, service was indifferent and on-time schedules were rarely met, causing market share to plummet along with revenues.

When Stewart stepped in, he insisted on a passenger-friendly approach: on-time service, reduced waiting lines, increased training for all personnel, and signature free champagne on flights to accompany an emphasis on better food. He also opened new routes in the Caribbean, brought on new Airbus jets and established a Montego Bay hub for flights coming from and returning to the United States. Just as with ATL and Sandals Resorts, Stewart's formula proved successful and in late 2004, Stewart gave the airline back to the government with an increase in revenue of over US$250 million.

It was not the first time Stewart would come to the aid of his country. In 1992, he galvanized the admiration of Jamaicans with the "Butch Stewart Initiative," pumping US$1 million a week into the official foreign exchange market at below prevailing rates to help halt the slide of the Jamaican dollar. Dr Henry Lowe, at the time president and CEO of Blue Cross, wrote to Stewart saying: "I write to offer sincere congratulations to you for the tremendous initiative which has done so much, not only for the strengthening of our currency, but more so, for the new feeling of hope and positive outlook which is now being experienced by all of us as Jamaicans."

Less well-known may be the extent of Stewart's considerable philanthropy, where for more than 40 years he has helped improve and shape the lives of Caribbean people. His work, formalized with the creation in 2009 of The Sandals Foundation, offers support ranging from the building of schools and paying of teachers to bringing healthcare to the doorsteps of those who cannot afford it. This in addition to his tireless support of a wide range of environmental initiatives. Beyond the work of the Foundation, Stewart has given millions to charitable causes such as celebrating the bravery of veterans and first responders and helping those in the wake of devastating hurricanes.

In 2012, Stewart founded the Sandals Corporate University, aimed at providing professional development for employees through reputable education and training programs. With access to more than 230 courses and external partnerships with 13 top-ranking local and international universities, every staff member can apply, broaden their knowledge, and advance their career.8392045085?profile=RESIZE_710x

Stewart's successes in business and in life have earned him more than 50 well-deserved local, regional, and international accolades and awards including Jamaica's highest national distinctions: The Order of Jamaica (O.J.), and Commander of the Order of Distinction (C.D.). In 2017, Stewart was honored with the inaugural Lifetime Achievement Award at the annual Caribbean Hotel & Resort Investment Summit (CHRIS), hosted by the Burba Hotel Network, marking his significant contribution to the hospitality industry. "The success of Sandals has helped to power the growth of the tourism industry and economies not only in Jamaica but throughout the Caribbean," said BHN president Jim Burba. "The word 'icon' certainly applies to Butch Stewart."

It delighted Stewart whenever he was dining anywhere in the world and an excited staff member would share with him, "Thank you. I got my start at Sandals."

Butch Stewart, The Man
With his easy pace, infectious warmth and trademark striped shirt, Stewart exuded an approachability that belied the complexity of his character. While he was an acute businessperson, who at the time of his death was responsible for a Jamaican-based empire that includes two dozen diverse companies collectively representing Jamaica's largest private sector group, the country's biggest foreign exchange earner and its largest non-government employer, he was an extremely private man whose deepest devotion was to his family.

His greatest test came in 1989 when his beloved 24-year-old son Jonathan was killed in a car accident in Miami. Stewart recalled the incident in a 2008 interview, "For two months after he died, I was absolutely useless, and after that I was sort of running on remote control. Things were a blur. It's every parent's nightmare. After a year or so, I started to see things in vivid detail. You have to get busy, be close with your family. It did a lot in terms of me getting closer. There's a lot more satisfaction."

Stewart was able to return to his relentless pace, and the consensus among those who knew him best is that he did it by leading by example. "If you are going to lead, you have to participate," Stewart was fond of saying. He believed that if everyone in the organization recognized that the man in charge was working as hard as they were, they'd have an infinite amount of respect and motivation. "It's about instilling a spirit of teamwork, defining a purpose and then rolling up your sleeves to get the job done better than anybody else," Stewart said.

The company Butch Stewart built remains wholly owned by the Stewart family, who, in honor of Mr. Stewart's long-term succession plans, has named Adam Stewart Chairman of Sandals Resorts International, extending his formidable leadership of the brands he has shepherded since he was appointed CEO in 2007.

Speaking on behalf of his family, Adam Stewart said, "our father was a singular personality; an unstoppable force who delighted in defying the odds by exceeding expectations and whose passion for his family was matched only by the people and possibility of the Caribbean, for whom he was a fierce champion. Nothing, except maybe a great fishing day, could come before family to my dad. And while the world understood him to be a phenomenal businessman – which he was, his first and most important devotion was always to us. We will miss him terribly forever."

Gordon "Butch" Stewart is survived by his wife, Cheryl, children Brian, Bobby, Adam, Jaime, Sabrina, Gordon, and Kelly; grandchildren Aston, Sloane, Camden, Penelope-Sky, Isla, Finley, Max, Ben, Zak, Sophie, Annie and Emma; and great grandchildren Jackson, Riley, Emmy and Willow.

A private funeral service will be held. Those wishing to share memories, condolences or personal stories may do so at AllThatsGood@sandals.com

SOURCE Sandals Resorts International

Read more…

8369905298?profile=RESIZE_710x

Photo Illustration by The Daily Beast/Photo via (L-R): Fernando Hevia; Yannick Reid; Sameel "samo Kush I" Johnson By: Patrice Meschino - Daily Beast

Jamaica’s first reggae radio station, IRIE FM, debuted on the island’s airwaves in August 1990. In Jamaican Rastafarian parlance, “irie” means good, cool, nice, and the station utilized a simple jingle to announce its content: “Reggae in the morning, reggae in the evening, reggae at nighttime on IRIE FM.” Thirty years on, IRIE still plays the original jingle. But it’s no longer quite true.

Some of the biggest stars featured on IRIE FM are playing a hybrid style that would’ve been unrecognizable as reggae when the station began. To many fans, it’s unrecognizable now. The new sound of Jamaica owes as much to trap, EDM, Afrobeat, and contemporary R&B as it does to dancehall or the original roots of reggae. It’s a style that doesn’t have a name yet, at least not one that’s stuck (although it’s sometimes referred to as trap dancehall) and you can hear it all over Jamaica.

“Reggae and dancehall continue to influence and contribute to the birth of various genres, as we’ve seen with hip hop, reggaeton and tropical house; now we are experiencing the birth of trap dancehall. Listeners to IRIE hear reggae and dancehall but also their offspring in a bid to further propel the art forms,” comments Kshema Francis of IRIE FM.

Three marquee names—Tarrus Riley, Protoje, and Dre Island—released outstanding albums this year that embody this evolutionary sound. All have incorporated influences and teachings from their Rastafari way of life, yet numerous tracks on their new albums bear little resemblance to the reggae of a generation ago. “I love the authentic reggae and dancehall sounds, but there are mixtures of other influences within those sounds,” Tarrus Riley, whose album Healing dropped on Aug. 28, told The Daily Beast in a recent Zoom interview.

Tarrus, 41, is an unlikely poster child for this new movement. He ascended to reggae stardom in 2006 with “She’s Royal,” a beautiful roots tribute to women and one of the decade’s most popular Jamaican singles. Tarrus’s breakthrough was part of the ‘00s mid-decade resurgence in roots reggae. Another roots movement appeared in Jamaica in the early 2010s, referred to as the Reggae Revival, which saw the emergence of several charismatic young talents including Chronixx, Jah9, Jesse Royal, and Kabaka Pyramid. Tarrus sees himself as the middle child in the reggae family.

Buju [Banton] and Sizzla were before me in the 1990s and Chronixx is after me so, I understand the roots and I understand the youths,” he explains. “When I was young, me and my father (the late Jimmy Riley whose singing career began in Jamaica’s mid-’60s rocksteady era) never liked the same music. It’s a new decade now, new things are happening so while the people from before want to hold on to music that had its time, the youths want to give you something new.”

Tarrus’ impressive catalogue showcases his finely tuned expressive vocals, which are adaptable to a range of styles from soft rock (“Jah Will”) to traditional Rastafarian Nyabinghi drumming (“Lion Paw”) to energetic dancehall (“Good Girl Gone Bad”). Then there’s the EDM power ballad “Powerful,” a certified gold single produced by Major Lazer, featuring Tarrus and Ellie Goulding.

Jamaica went into its coronavirus lockdown in late March. Tarrus abruptly ended his touring, returned home, and began writing and recording the songs that would become Healing, produced by Tarrus with co-production by Shane Brown and legendary saxophonist Dean Fraser.

Several tracks offer what Tarrus calls “experimental sounds”: over spatial dub and trap effects, Tarrus and rising trap dancehall artist Teejay trade quickly rhymed bursts referencing current racial and political sparring on “Babylon Warfare.” “Connect Again” with dancehall star Konshens anticipates a post-quarantine world and offers trap with a subtle reggae reverb while the spiritually fortifying “My Fire” (featuring singer Dexta Daps) is quintessential trap-R&B. The album’s biggest hit “Lighter” blends trap, EDM and dancehall into a catchy pop nugget, featuring female dancehall powerhouse Shenseea and is produced by (Jamaica born) Rvssian, well-known for his dancehall hits and Latin trap and reggaeton international chart toppers. The “Lighter” video has received over 32 million YouTube views since its release on Sept. 6. A fearless creative, Tarrus says the only thing to expect from his music is empowering messages.

“Don’t watch the tempo,” he cautions, “because I like doing new things. People are concerned with names, labels, trap, rap, hip-hop, dancehall, I can’t bother with them things. I have always been doing different kinds of sounds and I will continue. Music is going through a change right now, people are blending and fusing, everybody wants to call it a name, but I just call it good music.”

Reggae, like its direct Jamaican forerunners, ska and rocksteady, is an amalgam sound. In the late 1950s the ska beat was developed in Kingston recording studios by singers and musicians influenced by American doo wop, early rock and roll, gospel, rhythm and blues as well as Jamaica’s mento and Trinidad’s calypso. Rocksteady followed in 1966 with a slower tempo that allowed vocalists to fully showcase their talents while the basslines grew steadier and more pronounced. In 1968, the drum and bass led a faster, more complex rhythm called reggae. Experimentation on reggae tracks by Jamaican engineers and producers led to the birth of dub shortly thereafter. Dancehall reggae, reggae’s digitized strain, was created in 1984.

Over the decades, reggae has undergone organic stylistic changes and intentional adaptations aimed at reaching wider audiences. Island Records founder Chris Blackwell strategized marketing The Wailers’ 1973 Catch A Fire as a rock album, overdubbing guitar riffs and keyboard flourishes on the trio’s Jamaican recordings. Seeking to connect with an African American audience Bob Marley incorporated disco influences on his 1980 single “Could You Be Loved.” Esteemed rhythm section and production duo Sly Dunbar and Robbie Shakespeare brought the aggressiveness of the rock influences they absorbed while touring as members of Peter Tosh’s band opening for Santana and The Rolling Stones.

“As we did a couple of tours with these rock bands, we were wondering, how can we get that power, that energy, behind the reggae groove?” Dunbar told The Daily Beast. “So Robbie and I changed the sound of what we were playing, it was reggae but with a different attitude. The first experiment was (vocal trio) Black Uhuru, one of their first songs was “Shine Eye Gal” and people were like what is this?”

8369917654?profile=RESIZE_584xPhoto by Yannick Reid

Sly and Robbie’s modernizations earned widespread attention, yet some protested they were changing the music too much. In the 21st century their sonic advances continue to inspire another generation of artists and producers. Stephen and Damian Marley sampled Sly and Robbie’s production of singer Ini Kamoze’s “World-A-Music” for Damian’s 2005 Grammy winning blockbuster “Welcome to Jamrock,” a profoundly influential consolidation of hip-hop, dancehall and reggae elements. In 2012, Protoje, deeply inspired by Marley’s “Jamrock,” sampled Kamoze for his provocative hit “Kingston Be Wise,” written about the Jamaica Defense Force’s incursion into the city’s Tivoli Gardens community in search of wanted drug lord Christopher “Dudus” Coke, which resulted in an estimated 100 deaths.

Earlier this year Protoje sampled another Sly and Robbie rhythm for his production of singer Lila Ike’s single “Thy Will.” “Sly personally sent me the Baltimore riddim,” Protoje shared with The Daily Beast via Zoom, “and he told me, I love how you sample and lick over these riddims but now I want you to add something and move it forward.”

Protoje, 39, was born Oje Ken Ollivierre, the son of Jamaican lawyer (and former singer) Lorna Bennett and Mike Ollivierre, a former calypso king from St. Vincent. He was a core member of the Reggae Revival movement of the 2010s; since his initial impact on Jamaican music with the 2011 single “Rasta Love,” delivered in his mesmeric spoken/sung/patois-rapped vocals, Protoje has made tremendous strides in moving the island’s industry forward. He has signed three young female singers (Lila Iké, Sevana and most recently Jaz Elise) to his Kingston based label In.Digg.Nation Collective and made history as the first Jamaican artist to have his label contracted to an American major, RCA Records. In Search of Lost Time, released on August 28, is his premiere album through that deal. Throughout the album’s 10 tracks, Protoje’s broad based influences including classic dub, 80s dancehall, grunge guitars, trap, hip hop, and electronica are intricately woven into a multi-layered sonic.

The album opens with “Switch It Up,” blurring hip hop, R&B and a touch of roots, as Protoje and 20-year-old Jamaican sensation Koffee (who cites Protoje as a significant career influence) impressively change their flows, singing together then trading blistering verses. Incorporating a mash up of classic dancehall and hip-hop, Protoje reimagines the 1991 hit “Strange” by veteran Papa San into “Strange Happenings.” “Weed & Ting” is an unexpected take on a ganja song that also muses on life’s blessings and is set to a transcendent trap-one drop reggae fusion; the album’s other marijuana tune, “A Vibe,” featuring Wiz Khalifa, is straight up trap. Protoje wrote the motivational “Like Royalty” (featuring dancehall superstar Popcaan) after attending the 2019 Grammy Awards (he was nominated for Best Reggae Album for A Matter of Time); wreathed in hip hop, funk and soul, the song’s complex patois rhymes acknowledge the sacrifices made by a few close friends and especially his mother to advance his career.

Working alongside a stellar cast of Jamaican producers including Iotosh Poyser, Supa Dups, Ziah Roberts, Natural High, The Grei Show, Stephen McGregor and longstanding collaborator Winta James, Protoje incorporates live instrumentation, samples, dub reverbs and various effects into a sophisticated tableau that’s beyond genre classification yet retains many distinctive Jamaican elements: the heavy reggae bassline and signature Wailers’ percussion on “Deliverance;” a bassline sampled from renowned (British) dub producer/engineer Mad Professor on “Still I Wonder” and a sample of veteran singer Freddie McGregor’s “I’m A Revolutionist,” that’s flipped into the sultry neo-soul influenced love song, “In Bloom,” featuring Lila Iké.

“When Bob Marley dropped Exodus people probably said it wasn’t real reggae,” Protoje offered. (Recorded during Marley’s exile period in London, some critics balked 1977’s Exodus was unrelated to what was happening in Jamaica then, rather than applauding the album’s sonic innovations; Exodus was named Album of Century by Time Magazine in 1999.)

I always incorporate indigenous Jamaican elements, but music evolves, and our generation is responsible for what the sound is now. It’s the youths them me check for but me want the elders to respect my music. Freddie McGregor, Papa San, Sly, all them people say them a love what me a do so me nah listen to the others. I just keep making music how it sounds in my head.”

Dre Island’s debut album Now I Rise combines Rastafarian roots reggae’s denunciations of societal injustices underpinned by atmospheric genre-defying beats. Released in May, the Now I Rise Deluxe Edition dropped on July 24, with Dre writing, singing and producing most of the album’s 20 tracks. Born Andre Johnson, Dre, 32, is a classically trained pianist who worked as an engineer/producer before stepping in front of the mic. He made his initial impact with such singles as the jubilant “Rastafari Way” and the poignant commentary on the disparities between “Uptown/Downtown;” Dre’s fan base was further expanded through acoustic performance clips uploaded to the internet and posted on social media showcasing his keyboard expertise and raspy, emotive vocals. His biggest hit to date “We Pray,” featuring Popcaan, a widely embraced hymn of spiritual strength (its video has received over 32 million YouTube views) was released in 2017 and is included on Now I Rise.

Dre skillfully explores a range of styles including EDM (“More Love-Dub Fx Remix”) exuberant funk pop (“Four Seasons”) Afrobeats (“Calling”) and several trap-influenced tracks such as “Run to Me” featuring Alandon. Raised in the volatile Red Hills Road area of Kingston, it’s Dre’s gritty firsthand observations that provide the album’s most riveting moments. Over a hazy trap-inspired rhythm track, Dre’s melancholy, deeply affecting vocals on “My City” deliver a bittersweet love letter to Jamaica’s capital, “where politicians every day dem import a strap and dem no care about the issues weh the voters got.”

“Kingdom” was written in 2014 about the Tivoli Gardens incursion, its sparse martial beat underscores the lyrics’ galvanizing spiritual call to arms: “I was living in a community that was affected dearly by that, a lot of innocent youths died, so I approached the song as we Rasta coming forward with Jah message,” Dre recalled. Equally haunting and likewise rhythmically stark, “Still Remain” remarks on the continual gang war in Kingston’s Mountain View community: “shotta spray like how the fountain spew, your door police will squeeze round ten through, stand over three man and found them blue.”

8369921896?profile=RESIZE_584x
Photo by Fernando Hevia

“Many artists speak on these kinds of things but because of where I come from, it’s only a few that strike it and let me see that harsh reality where me say, this is what really happen, him not lying,” Dre offers. “That’s why today I can say ‘it was all a dream, I used to read Word Up! Magazine,’” quoting lyrics from Biggie Smalls. “I felt I lived that too, Biggie. Biggie’s long gone in the flesh, but his soul will forever live on because he never lied, he struck in that reality. That’s what Bob Marley did too, he never tried to pretty it up: ‘man to man is so unjust you don’t know who to trust,” Dre adds, quoting from “Who The Cap Fit.” “Bob never tell no lie, that is exactly how it goes today, too.”

Wyclef Jean recruited Dre for the remix to his song “Justice” a tribute to slain jogger Ahmaud Arbery, then offered Dre the remix for Now I Rise. “Bang Your Head” pairs Dre’s mother’s wise encouraging words with producer Winta James’ futuristic EDM meets hip-hop infused rhythm. The impressively sweeping musical scope of Now I Rise won’t outwardly be identified as roots reggae although Dre’s impassioned delivery and provocative statements extend the music’s revolutionary spirit with a sonic update for a new generation. “I don’t watch genre because reggae is not a beat for I,” says Dre, who like Tarrus and Protoje resists categorizations. “Reggae is the music that Rasta use to deliver the message of His Majesty (Ethiopian Emperor, Rastafarian Savior Haile Selassie I) and as a Rastaman, I message say burn (condemn) division, burn segregation, we are one people: I say no race, no color, so how am I going to say genre? As long as the message is speaking righteousness and love to the people, then the music is reggae for I.”

Read more at The Daily Beast.

Read more…

8233640893?profile=RESIZE_710x

My mum disputes some details of McQueen’s retelling – notably the tactile dancing.’ Micheal Ward and Amarah-Jae St Aubyn (centre) in Lovers Rock. Photograph: Parisa Taghizadeh/BBC/McQueen Limited
Story by: Micha Frazer-Carroll

At the halfway mark of Lovers Rock, the new Steve McQueen film set at a blues party in 1980, at least a hundred partygoers calmly sing an a capella song for five minutes straight. It is hypnotising and, like other moments in McQueen’s Small Axe film series, which centres around British Caribbean communities in the 1960s to the 1980s, time feels momentarily like it has been stretched. Every person in that jam-packed room patiently sings the slow song from start to finish, and everyone knows the words: “But I’ve got no time to live this lie / No, I’ve got no time to play your silly games / Silly games!”

When the film aired on Sunday night on the BBC, watching the characters sing the 1979 hit Silly Games felt very close to home, in part because Janet Kay, who sings the song, happens to be my “auntie” – a lifelong friend of my mum’s, rather than a blood relative. Silly Games was therefore a staple of my childhood; when I was growing up, Auntie Kay could always be persuaded to sing her former chart success at any birthday, christening or holy communion.

The song was part of the lovers rock genre, the post-Windrush lovechild of reggae and soul born in 1970s Britain. Silly Games was a hit at family parties when I was growing up, but it was only when I was much older that I learned the song wasn’t just a cultural touchstone in my family – it was one of the most famous lovers rock singles in history. As an adult, I started to understand its reach: I would meet Caribbeans who had grown up in Manchester, Birmingham or Scotland who had all sung the song at their family parties, too – with everyone’s mum, uncle and auntie trying to hit the notoriously hard-to-reach high note at the end of the chorus. I grew up on fables about the blues parties my nanny hosted at her house

Many Caribbeans remarked on social media that seeing such a cherished tradition on screen felt personal – as did the setting of a legendary blues party. Usually hosted in someone’s basement, blues parties sprung up in the 1970s as safe refuges from Britain’s racist clubbing scene. As McQueen depicts, they were a mixture of an underground rave and a house party – any cash that changed hands was generally just enough to cover the costs of the makeshift shebeen. Lovers rock music like Auntie Kay’s often provided the soundtrack to these ritualistic house parties, which were all about sensual slow dancing rather than blowing off steam to pop or disco.

I grew up on fables about the blues parties my nanny hosted at her house in Hackney, east London, and those at other people’s homes that my mum spent her teenage years and early twenties attending. It would all begin in the morning: the host would spend the day painstakingly clearing out rooms, cooking for guests and getting a mammoth sound system in. The speakers were of crucial importance – and, after the party kicked off at midnight or 1am, attendees could find the right address by following the vibrations that crept along the street.

Once people arrived at the house, they would have to pay a small fee to get in, but it was worth it to find the sounds, smells and flavours of the homesick blues: curry goat, Red Stripe, wallpaper dripping with sweat and a syncopated bass line blasting from an 8ft speaker. Blues parties were places of celebration and togetherness – and crucially, the only place you could hear reggae and lovers rock, except perhaps for David Rodigan’s slot on Capital Radio.

Of course, Black spaces have always been threatened by forces outside our control. Blues parties eventually petered out, increasingly falling foul of the police due to noise complaints and licensing issues, while the mainstream clubbing scene opened up to Black audiences. By the late 1980s, they had come and gone – and today, their ghosts haunt areas like Dalston, which were once popular for blues parties but whose large basements are no longer home to Black families.

My mum disputes some details of McQueen’s retelling – notably the accents and the tactile dancing: “The art was to dance as close as possible without touching,” she told me as the film progressed. Others felt that sometimes stereotypes got the better of McQueen, who was only 11 at the time of the story. But it seemed that the millennial generation of Caribbeans in particular relished the plunge into nostalgia; and for those who have grown up on the stories of their parents, it was perhaps validating to see a lifelike depiction of historical tradition deeply mythologised yet under-documented in British history.

While it may not be perfect, McQueen’s film is a solid contribution to the ongoing project of archiving our histories, which – although it is easy to forget – are characterised by joy as well as struggle. In fact, blues parties perfectly illustrate how the two were intrinsically intertwined. Emerging from an era of “no Blacks, no dogs, no Irish”, Caribbean people carved out meaningful underground spaces to dance their blues away. Although these parties are no longer, the blues spirit lives on in oral histories, in films like McQueen’s, and in a room full of aunties reaching for that high note at the end of Silly Games.

• Micha Frazer-Carroll is a columnist at the Independent

Read more…
 
8169868485?profile=RESIZE_710x
Hellshire beach, Jamaica, in 2008. The beach has largely disappeared since due to erosion. Photograph: Zickie Allgrove/Getty Images

 

Climate change is eroding beaches all over the Caribbean – even though the region contributes a tiny fraction of the emissions heating the planet.

Sunbathing mothers keep an anxious eye out for children enjoying horseback rides, as groups of young men engage in energetic games of beach football and cricket. Further along, a boombox blasts as the smell of fresh fish wafts across the shoreline.

For years, this was the scene at the Hellshire Beach in Portmore, St Catherine, on a public holiday or weekend when Jamaicans and visitors alike would flock to one of the island’s most popular beaches. Today, however, parents no longer bring their children. The horses, along with most of the beachline, have long disappeared and the few visitors who come to Aunt Merl’s or Prendy’s on the Beach – two of the few remaining seafood restaurants left standing – are confined to the benches inside. The beachfront has been swallowed by the surging tides, a result of decades of climate change and mismanagement.

“The recreational areas are totally gone so the sea is now right at the steps of the business places,” says Gladstone White, director of the Half Moon Bay Fishermen’s Co-operative, which has been lobbying for funding for infrastructure work to stabilize sections of the beach.

While island nations like Jamaica contribute a tiny fraction of the greenhouse gas emissions that are heating the planet, they are poised to suffer the worst consequences of the climate crisis. Coasts play a critical role in the economies of many Caribbean nations, whose population centers are close to the shore and who rely heavily on their ports and on tourists attracted to their picturesque waters. But beaches throughout the Caribbean are eroding as a result of rising sea levels and dangerous storms resulting from climate change. And many island nations lack the funding to invest in the infrastructure and innovation necessary to combat the changes – a situation made worse by the Covid crisis.

While Jamaica has a mixed record on environmental protection, the country is part of a coalition of small island nations that has been instrumental in lobbying for global climate action, and recently became the first Caribbean nation to increase the ambitiousness of its plan under the Paris climate agreement to reduce its carbon emissions.

But the US is set to withdraw from the agreement on 4 November, imperiling the treaty’s goal of limiting global heating to “well below” 2C, along with prospects for global action sufficient to ward off increased risk to the people and lands of the Caribbean.

Hellshire Beach, where the marine ecosystem is rapidly eroding, offers insight into what’s at stake for many Caribbean communities. Intensified storm activity and increased water temperatures are helping destroy offshore coral reefs that otherwise buffer the shoreline from pounding waves. The problems are compounded by unregulated commercial development and waste treatment, along with the removal of sand dunes and other vegetation. A landmark report published in 2012 found that Hellshire had lost up to 120 meters of shoreline in four decades.8169910888?profile=RESIZE_710x

When the scope of Hellshire’s destruction became clear, the government seemed ready to act quickly and decisively. A master plan to rehabilitate the beach was created – but then dashed in 2016 when the People’s National party (PNP) was swept from power. Since then, budding initiatives meant to invest in the beach have been consistently shut down, often without explanation.

Jamaica’s economic difficulties will thwart any short-term action to save the beach. The coronavirus has served a major blow to tourism and remittances, the country’s top two sources of revenue. The post-crisis receipts from both are forecast to fall to just around half the US$5.4bn of value they represented before the pandemic, with remittances ­expected to decline by 17% and tourism by 68%.

Jamaica’s National Environment and Planning Agency says that while rehabilitation efforts have been derailed by the economic impact of Covid-19, they will be picked up next year. But despite Nepa’s reassurances, a tourism official told the Guardian that the Hellshire master plan has been shelved indefinitely.

White, director of the fishermen’s co-operative, says the decision to scrap the master plan will hit members “big time”.

“Thing are so bad that fishermen are finding it difficult to find places to dock their boats,” he said.

Prendy’s on the Beach was once arguably the biggest and most popular seafood restaurant on Hellshire. Now that the beach has disappeared, so too have many of its customers – a situation exacerbated by government-imposed Covid-19 restrictions on public gatherings.

 

A seafood restaurant at Hellshire Beach. The sea is now perilously close to the businesses on the shore. Photograph: Christopher Serju

“I have to be creative,” says Donnete “Prendy” Prendergast, who has been operating her restaurant at Hellshire for more than 20 years. “So I do family packages for people who still come out even if they can’t get to swim. But honestly, not being able to swim takes away from the Hellshire experience, because they come here not just to eat but to have some recreation.”

Jamaica has long sent mixed signals on its commitment to environmental protection. Environmentalists recently protested against the government’s decision to allow bauxite mining in an area that supplies drinking water to the parishes of Trelawny, St Elizabeth and St Ann. The government also met with outcry over its decision to sell off fertile land to developers to build a new city, despite the fact that just a fraction of Jamaica’s land is available for farming.8169923854?profile=RESIZE_710x

And environmentalists, archaeologists and residents have been united in their opposition to the construction of a floating pier for cruise ships in Port Royal, arguing that the fragile ecosystem is in danger. Despite this, the pier opened last year to much fanfare but generated little economic spinoff for locals.

For her part, Prendergast would be content with the government showing its commitment to addressing climate change by taking one small step towards resolving beach erosion at Hellshire.

“I think the authorities need to really give Hellshire some love because it is really a beautiful place and what we offer is really unique because you can’t go get our festivals anywhere else,” she says, referring to the cornmeal-based Jamaican fried dough sold on the beach.

But time is running out for the Hellshire Fishing Village beach and its natural and manmade allures. Soon, the forces of nature, along with local and global inaction, will make it, and many more pristine beaches in the region, no more than a distant memory – a faded photograph in an old scrapbook.

Prendy’s on the Beach was once arguably the biggest and most popular seafood restaurant on Hellshire, but many of its customers have disappeared. Photograph: Christopher Serju

http://www.w3.org/2000/svg"" aria-hidden=""true"" focusable=""false"">
Read more…

8054074666?profile=RESIZE_710x

Talking Heads drummer Chris Frantz’s new book, Remain in Love, is a billet-doux to his bandmate and wife of more than 40 years, bassist Tina Weymouth, as well as documenting the couple’s musical journey together — first, as part of the most critically acclaimed New Wave band of the late 70s and early 80s, and later as co-founders of The Tom Tom Club, which topped the charts in 1981 with “Genius of Love.”

But there’s another ongoing love affair that Franz and Weymouth have been carrying on all these years, too, and that’s with the Caribbean — the Bahamas, in particular.

Talking Heads are sometimes described as a “world music” band, and Frantz’s introduction to Caribbean beats and rhythms began early: his parents had lived in Puerto Rico and traveled to the Virgin Islands and Trinidad, bringing home 78-rpm records of calypso and mambo songs that Frantz rediscovered as a young musician.

bahamas-talking-heads-jamaica-2-1024x832.jpghttps://3j0grh44ocny4a6kcn288izx-wpengine.netdna-ssl.com/wp-content/uploads/2020/10/bahamas-talking-heads-jamaica-2-768x624.jpg 768w, https://3j0grh44ocny4a6kcn288izx-wpengine.netdna-ssl.com/wp-content/uploads/2020/10/bahamas-talking-heads-jamaica-2.jpg 1200w" alt="" width="1024" height="832" /> Chris Frantz writing at Compass Point in Nassau.

When Jimmy Cliff helped introduce reggae to the United States with the 1972 film, The Harder They Come, it caught the attention of Frantz and Weymouth, who had recently met and fallen in love as students at the Rhode Island School of Design (where they also would meet Talking Heads singer David Byrne)

“Tina had this Plymouth Valiant that we drove up to Boston to see the movie, and we loved it so much that we immediately went and bought the album, and then went the next weekend to see the movie again,” said Frantz.

As a drummer, Frantz — who counts The Mighty Sparrow, Toots and the Maytalls, and “Funky Nassau” performer Ray Munnings among his favorite Caribbean musicians  — incorporated the syncopated beats of Caribbean music into his playing for Talking Heads, particularly after the band traveled to Nassau in 1978 to record their second album, More Songs About Buildings and Food, which included the hit song, “Take Me to the River.” The Brian Eno produced album was the first to be cut at Compass Point Studios, established by Island Records founder Chris Blackwell.

Everyone from AC/DC to David Bowie and the Rolling Stones would end up making albums at the studio, which operated from 1977 to 2010, but, “I think we recorded more albums there than any other artists,” said Frantz. In addition to Talking Heads’ More Songs About Buildings and Food and 1980’s Remain in Light and 1983’s Speaking in Tongues, Frantz and Weymouth utilized the studio on the west end of New Providence Island to make the first three Tom Tom Club albums.

compass-point-bahamas-jamaica-talking-heads-1024x576.jpghttps://3j0grh44ocny4a6kcn288izx-wpengine.netdna-ssl.com/wp-content/uploads/2020/10/compass-point-bahamas-jamaica-talking-heads-768x432.jpg 768w, https://3j0grh44ocny4a6kcn288izx-wpengine.netdna-ssl.com/wp-content/uploads/2020/10/compass-point-bahamas-jamaica-talking-heads.jpg 1200w" alt="" width="1024" height="576" />

The Tom Tom Club was loosely inspired by Peanuts Taylor’s Drumbeat Club, a nightclub in downtown Nassau. The band included members of the Compass Point All Stars, the de facto house band at the Nassau studio.

Being in the orbit of Blackwell led to some interesting experiences —  “We used to live in the same building as Sean Connery, but Joe Cocker kept coming into the driveway and yelling, ‘Sean, give us a drink,’ so he moved,” Frantz recalled — but also some remarkable collaborations, including with pianist Tyrone Downie of the Wailers, percussionist “Sticky” Thompson, keyboardist Wally Badarou, and King Crimson singer Adrian Belew, among others.

Frantz and Weymouth loved the Bahamas so much that they became part-time residents of Nassau. “We bought an apartment (near Compass Point) that we still have, and the roof still leaks,” said Frantz. “That’s part of life down there. We still go down there, and hope to do so again in the not too distant future” — post COVID, that is.

For years, the couple and their family also took extended trips through the Out Islands on their 48-foot sloop, Katrinka, helmed by Tina’s father, a former U.S. Navy vice admiral.

“The Bahamas are 700 islanders in the sun, and we loved to sail from Nassau to Staniel Cay in the Exumas, and to snorkel in the Thunderbolt grotto,” said Frantz, who also recounted day trips from Nassau to deserted Allen Cay to visit the iguanas and to Big Major Cay, home of the Bahamas’ famous swimming pigs.

Other favorite stops include Lyford Cay, Cat Island, and out to the Exumas for the annual Family Island Regatta. “We had 22 years of bliss surrounded by a few hours of sheer terror,” laughed Frantz — a sentiment that will be familiar to anyone who sails.

Frantz and Weymouth’s Caribbean travels aren’t limited to the Bahamas: the couple traveled to Barbados in 1991 to produce an album with the British band Happy Mondays, explored the mountains of Jamaica during a stay at Blackwell’s Goldeneye hotel, and decamped to the legendary Oloffson Hotel in Port au Prince, Haiti on an art-buying trip.

Visitors to Nassau will find little trace of Compass Point Studios or the world-famous musicians who once inhabited its halls, but the vibrant Compass Point Beach Resort (originally founded by Blackwell and sometimes used by visiting stars) still welcomes guests to Love Beach and its popular beach bar. Frantz also is a fan of the National Art Gallery of the Bahamas, located in downtown Nassau.

“A lot of people go to Paradise Island and stay at a big hotel,” said Frantz. “We never go to those places. We prefer the Out Island experience, and the west end of New Providence is like that.”

“We love the easygoing, you-can’t-rush-life attitude of most people in the Caribbean,” Frantz added. “The people of the Bahamas are so happy to see you. It’s all about hospitality and equality’’

 
 

 

Read more…