Celebrating Mother Africa

3665136683?profile=originalAs a tribute to Motherland Africa, Amadi Productions staged Iya Africa at the Daaga Auditorium, St Augustine Campus of the University of the West Indies, on July 23. The concert commemorated The International Year For The People of African Descent as declared by the United Nations General Assembly. It also formed part of the T&T/Emancipation Celebrations 2011. In the Ibo language of Nigeria “Amadi” means “general rejoicing” while Iya Africa means “Mother Africa” in the Yoruba language. Director Rhona Mohon said Iya Africa was intended to pay tribute to Miriam Makeba (Mama Africa), recognise the need to respect mothers, sisters and women in general and celebrate freedom across the African diaspora. Mohon added it was imperative to know, respect and love ourselves. More importantly, it was mandatory to “know, respect and love our Creator.”

Tribute to Miriam Makeba

Having distinguished herself by placing African music on the international map in the ’60s and ’70s, Makeba came to be viewed as the foremost world star of African music. So, it was fitting that a segment of the concert was devoted to the human rights campaigner who exposed the scourge of apartheid at world fora inclusive of testimony before the United Nations, earning the title of “Mama Africa.” Makeba became renowned for singing in her native dialect, distinguishable by explosive, clicking sounds with the epiglottis at the back of the throat. Cast members including Ruanne Cabralis, Annessa Rudder, Adifah Padmore, Elena Rawlins, Janine Charles-Farray, Kareem Brown and Avis Bruce performed in the segment dedicated to Makeba. They were joined by Denise Charles and spoken word poet Muhammed Muwakil. Iya Africa encompassed African drumming, chanting and dances which made their way across the middle passage and become incorporated in religious observances like Orisha and Spiritual Baptist practices. Again, Iya Africa hailed the motherland with the steelpan.